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University of Warwick teams up with Ca’ Foscari University of Venice to create museum exhibitions of the future

27 November 2023
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The University of Warwick is working with historians at Ca’ Foscari to scan and analyse artifacts from ancient Roman and pre-Roman Venice, including in 3D and VR forms

The University of Warwick is collaborating with Ca’ Foscari University of Venice to analyse Roman artefacts in a history project which could change the face of museums for the 21st century.

Warwick is working with historians at Ca’ Foscari to scan and analyse artefacts from ancient Roman and pre-Roman Venice, including in 3D and VR forms.

Researchers hope that these artefacts, scanned into 3D and virtual reality (VR), could revolutionise how people experience historical items, including in museums.

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Rather than studying items in glass cases, artefacts could instead be scanned and produced using 3D printing or VR technology so visitors can hold and experience history in a whole new way.

This is especially vital when the items themselves are fragile or extremely old, meaning the originals can’t be held or examined by the public.

The collaboration between Warwick and Ca’ Foscari is focused on over 30 items related to religion from the Roman settlement of Altinum – the ancestor of the city of Venice.

Altinum is larger than Pompeii but remains mostly unexcavated, with researchers suggesting a trove of artefacts may be there waiting to be discovered.

The items themselves are from the Roman period and before, including from the Venetii natives who were assimilated into the Roman Empire over centuries.

The artefacts are being analysed by historians at Ca’ Foscari, with engineers at Warwick using cutting edge imaging technology to scan the items in incredibly high definition.

This helps historians read writing from the period and is especially vital when some artefacts have been damaged or are fragmented.

Academics at Warwick and Ca’ Foscari will present their findings at a conference in Venice on Friday 24th November, highlighting the potential of the combined arts knowledge of Ca ‘Foscari and the technology of WMG.

Mark Williams Professor Mark Williams, head of the Centre for imaging, Metrology and Additive Technology (CiMAT) at WMG commented: “This is an excellent example of universities working together, including across the arts and sciences. This scanning technology has truly exciting possibilities, including for the future of historical learning and we were delighted to be able to assist our Venetian colleagues in bringing a small section of their history to life”.

Associate Professor Lorenzo Calvelli, a historian at Ca’ Foscari university said: “These artefacts represent the very beginnings of Venice from over two millennia ago, and we are very pleased to be able to bring this history to a wider audience, both here in Italy and in the UK.

“It has been excellent to meet and collaborate with colleagues from Warwick, and I am very excited about our future plans to dive deeper into the treasure trove of artefacts that is waiting for us in Altinum”.

Altinum developed over the course of the Roman Empire into a booming trading hub, particularly know for valuable amber and horses which were prized across Europe. Eventually, refugees from Altinum are believed to have contributed to the founding of Venice in the wake of the fall of the Roman Empire.

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Rachel Moseley, Chair of the Faculty of Arts at Warwick, commented: “This is an excellent example of science and the arts working together to create exciting new possibilities.

“Every day, we see scientific advances allowing us to delve deeper into history in a way which recently we would have thought was impossible. Equally, the arts give science that grounding and philosophy to make these advances tangible to the public.

“I’m delighted that our new base of Warwick in Venice has brought all these excellent researchers together and is already encouraging collaboration in a hugely positive way”.


Peter Davison is deputy editor of The Business Magazine. He has spent his life in journalism – doing work experience in newsrooms in and around Bristol while still at school, and landing his first job on a local newspaper aged 19. By 28 he was the youngest newspaper editor in the country.

An early advocate of online news, he spent the first years of the 2000s telling his bosses that the internet posed both the biggest opportunity and greatest threat to the newspaper industry and the art of journalism. He was right on both counts.

Since 2006 he has enjoyed a career as a freelance journalist. He lives in rural Wiltshire with one wife, two children, and three cats.

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